I’m in the process of making my way through Overexposed and am loving every joyfully pop second of it. M5 excel when their sound is gritty but always on just the right side of pop. Adam’s voice rocks it out and their heavy guitar influences shine through, bursting out at the undeniably catchy refrains. ‘We’re putting on a show for the crowd, / So turn it up, baby / Let’s make it loud’ is as easily memorable as anything on Moves Like Jagger. And in exchange for the whistling, you get repetitions of ‘Right now, now,’ ‘Shining like a neon light, light,’ and so forth. From my experience, that’s easier to repeat than the whistling. Seriously, Flo Rida’s Whistle isn’t as easy to recreate after the third G&T. Take a listen below and Flo Rida’s Whistle after the jump. Because hey, sometimes it’s nice just to surrender to the pop:
This is killer. I only found it by trawling through our inbox (and if you’re emailing us, please avoid capslock at all costs. Most likely I’ll be checking this thing in the early hours of the morning and don’t appreciate my computer SCREAMING AT ME) but it’s great. Viceroy is a producer from San Francisco (whence comes all the coolest music) and remixed Katy Perry’s Last Friday Night last summer! It may be slightly dated but that doesn’t mean you shouldn’t check it out immediately. I’ve posted the MP3 below and you can download it from Soundcloud. After the jump is the original Last Friday Night video (fun!) and an article I wrote at the time (tempus fugit! I remember writing that in Thailand) about Katy Perry, Beyonce and feminism. It was kinda cool:
‘Baby, she’ll eat you alive, as soon as she smells your blood in the water,’ Levine sings cheekily over one of the highlights from Overexposed, Maroon 5’s foray into undeniably and (semi) hitherto uncharted pop waters. Look, I’m a proud owner of Maroon 5’s entire discography. B-sides, deluxe editions, live sets: I have them all. And their recent resurgence makes me nothing but happy. I love them. Anyway, as much as every review begins with ‘Maroon 5 have decided to sell their souls to the devils of popular music,’ a lot of this sounds a return to their classical pop/rock roots. Fortune Teller rip-roars through an undeniable hook, yes, but wouldn’t sound out of place on Songs About Jane. The album’s a delight and arrived perfectly in time for my vacation. Listen to Ladykiller below and the exciting sound of Fortune Teller after the jump:
I’m finishing off this week with a song that’s been bopping around my iPod for a while but feels distinctly summery. It’s by Ameriie of ‘There’s just one thing that got me tripping, there’s just one thing that something something something’. It’ll be hard to top that song ever because it’s a-muhzing but this gives it a run for its money. Every Time is in the same vein as Estelle’s more downbeat tunes and is wistful, poppy and features a killer hook for uncool people (me) to feel involved. Check it out and enjoy your weekends! Let’s hope the sun stays out:
Wasn’t it funny when Gary from Take That and Cheryl from Cheryl Cole sang a Lady Antebellum song at the Jubilliethingymabob? Really sweet but . . . unexpected. Anyway, I’ve been featuring a lot of live sessions recently so decided to steamroll on. fun. is one of the my favourite bands of like, ever and I’m dying/praying/hoping against hope to see them this summer. Somehow. Somewhere. They’re fantastic creators of music but their covers are so very good. Here’s their cover of Lady Antebellum’s We Owned The Night. It’s superb. Superbly superb (heat’s getting to me). There’s an acoustic version of All The Pretty Girls after the jump. Lucky you:
Had to pry myself away from that unbelievable Wimbledon final yesterday in order to bring you this, so please feel special. Here’s a colourful summer tune that you can blast while chilling out and drinking Corona (my favorite).
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